Performing the Subject-Self: A Critical Exploration of Sex Worker Resistance and Activism in Canada

Abstract

The contemporary movement for sex workers' rights emerges from a lengthy and complex legal history of sex workers challenging dominant discourses that frame prostitution as a public nuisance, moral offence, and violence against women. The existing literature demonstrates that sex workers and sex work activists resist oppressive and reductive discourse via community-based initiatives, lobbying efforts, and strategic litigation such as the successful constitutional challenge against Canada's prostitution laws in 2013 (Canada (Attorney General) v. Bedford, 2013). However, there is a significant gap in understanding how sex workers and sex work activists enact resistance through embodied performance. As such, this thesis explores the ways in which sex worker rights activists resist dominant discourse and troubling public perceptions through symbolic communication and attire during protests. To this end, this research builds a conceptual framework that puts resistance literature in conversation with key theoretical insights from Michel Foucault and Judith Butler. Based on 143 publicly accessible images of sex worker rights protests in Canada between 2013-2023, a qualitative visual content analysis is deployed to examine how sex workers and sex work activists enact resistance through what the author calls the performance of the subject-self. The findings reveal how the subtle, creative, and symbolic aspects of sex work activism are serious and significant forms of political expression.