Perspectives on popular music analysis: Towards a standarized approach.
| dc.contributor.advisor | Burns, Lori A., | |
| dc.contributor.author | Chaly, Maya Ann. | |
| dc.date.accessioned | 2009-03-23T17:39:30Z | |
| dc.date.available | 2009-03-23T17:39:30Z | |
| dc.date.created | 1999 | |
| dc.date.issued | 1999 | |
| dc.degree.level | Masters | |
| dc.degree.name | M.A. | |
| dc.description.abstract | This thesis investigates the potential for a standardized methodology for the study of popular music. It examines recent applications of voice-leading analysis and harmonic analysis to pop/rock songs and highlights common ground among them---commonalities that could contribute to a standardized methodology. In particular, the thesis focuses on the analytical approaches of Allan Moore, Walter Everett, and Lori Burns---leading scholars in the field. The underlying principles of each approach are illuminated through case studies of pop/rock songs by 1990s North American female singer-songwriters. After examining how scholars analyse the musical structure of pop/rock songs, the thesis considers the analysis of musical structure in association with text and vocality. | |
| dc.format.extent | 166 p. | |
| dc.identifier.citation | Source: Masters Abstracts International, Volume: 38-04, page: 0818. | |
| dc.identifier.isbn | 9780612465572 | |
| dc.identifier.uri | http://hdl.handle.net/10393/8885 | |
| dc.identifier.uri | http://dx.doi.org/10.20381/ruor-16035 | |
| dc.publisher | University of Ottawa (Canada) | |
| dc.subject.classification | Music. | |
| dc.title | Perspectives on popular music analysis: Towards a standarized approach. | |
| dc.type | Thesis |
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