Repository logo

The Sound of Being Heard: Musical Theatre Creation as a Site of Catharsis and Healing in Your Turn to Listen

Simple item page
dc.contributor.authorKikkawa, Gwenith
dc.contributor.supervisorMeerzon, Yana
dc.contributor.supervisorCleveland, Janne
dc.date.accessioned2025-06-25T21:27:03Z
dc.date.available2025-06-25T21:27:03Z
dc.date.issued2025-06-25
dc.description.abstractÀ la demande de l'auteur, le résumé a été retiré en raison de la nature confidentielle de la thèse. Il sera ajouté une fois la période d'embargo terminée. At the author’s request, the abstract has been removed due to the confidential nature of the thesis. It will be added once the embargo period has passed.
dc.identifier.urihttp://hdl.handle.net/10393/50592
dc.identifier.urihttps://doi.org/10.20381/ruor-31197
dc.language.isoen
dc.publisherUniversité d'Ottawa / University of Ottawa
dc.subjectmusical theatre
dc.subjectdramaturgy
dc.subjectcatharsis
dc.subjectcultic studies
dc.subjectrace theories
dc.subjectexpressive arts therapy
dc.subjectautoethnography
dc.titleThe Sound of Being Heard: Musical Theatre Creation as a Site of Catharsis and Healing in Your Turn to Listen
dc.typeThesisen
thesis.degree.disciplineArts
thesis.degree.levelMasters
thesis.degree.nameMA
uottawa.departmentThéâtre / Theatre

Files

Collections

Thèses - Embargo // Theses - Embargo