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Setting the Record Straight: Musical Theatre Bootlegs as a Case Study for Counter-Archiving

dc.contributor.authorMacarios, Jasmin
dc.contributor.supervisorWatson, Jada E.
dc.date.accessioned2026-01-26T22:28:22Z
dc.date.available2026-01-26T22:28:22Z
dc.date.issued2026-01-26
dc.description.abstractÀ la demande de l'auteur, le résumé a été retiré en raison de la nature confidentielle de la thèse. Il sera ajouté une fois la période d'embargo terminée. At the author’s request, the abstract has been removed due to the confidential nature of the thesis. It will be added once the embargo period has passed.
dc.identifier.urihttp://hdl.handle.net/10393/51312
dc.identifier.urihttps://doi.org/10.20381/ruor-31706
dc.language.isoen
dc.publisherUniversité d'Ottawa / University of Ottawa
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internationalen
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectsocial media
dc.subjectcounter archives
dc.subjectmusical theatre
dc.subjectbootleg recordings
dc.subjectmetadata
dc.titleSetting the Record Straight: Musical Theatre Bootlegs as a Case Study for Counter-Archiving
dc.typeThesisen
thesis.degree.disciplineArts
thesis.degree.levelMasters
thesis.degree.nameMIS
uottawa.departmentSciences de l'information / Information Studies

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