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Analysing Elfriede Jelinek’s The Piano Teacher: The Layers of Erika’s Masochism

dc.contributor.authorYucel, Ecem
dc.date.accessioned2020-10-05T17:29:09Z
dc.date.available2020-10-05T17:29:09Z
dc.date.issued2018
dc.description.abstractElfriede Jelinek‘s highly controversial novel The Piano Teacher introduces its protagonist Erika Kohut, a thirty-eight-year-old piano teacher who works at the prestigious Vienna Conservatory. As the book follows the story of Erika, Jelinek reveals her protagonist‘s underlying sadistic, masochistic, voyeuristic, phallic and even fetishistic layers. This paper aims to examine these layers of Erika‘s personality, associated with her most significant feature, masochism. A better understanding of these layers will help us deduct enlightening conclusions on Erika‘s masochism, and other psychological aspects related to the masochism, which are woven stitch by stitch throughout the book.en_US
dc.identifier.citationYucel, Ecem. “Analysing Elfriede Jelinek’s The Piano Teacher: The Layers of Erika’s Masochism.” Confetti: A World Literatures and Cultures Journal / Un journal de littératures et cultures du monde, vol. 4, 2018, pp. 37-55.en_US
dc.identifier.urihttp://hdl.handle.net/10393/41176
dc.identifier.urihttps://doi.org/10.20381/ruor-25400
dc.language.isoenen_US
dc.subjectElfriede Jelineken_US
dc.subjectThe Piano Teacheren_US
dc.subjectmasochismen_US
dc.titleAnalysing Elfriede Jelinek’s The Piano Teacher: The Layers of Erika’s Masochismen_US
dc.typeArticleen_US

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