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Unstable Identity in Caryl Churchill's Love and Information

dc.contributor.authorGowans, Caitlin
dc.contributor.supervisorPrince, Kathryn
dc.date.accessioned2014-09-17T11:36:52Z
dc.date.available2014-09-17T11:36:52Z
dc.date.created2014
dc.date.issued2014
dc.degree.disciplineArts
dc.degree.levelmasters
dc.degree.nameMA
dc.description.abstractCaryl Churchill’s play, Love and Information, presents a shift in focus from unstable personal and political identity towards unstable logical identity, a philosophical concept that takes identity out of the realm of identity politics.. As a new play Love and Information has understandably been subject to very little scholarly analysis. This thesis situates the play within Churchill’s corpus in order to consider how the depersonalized identities of this play fit within the broader scope of Churchill’s work. Anchored in Elin Diamond’s study of gender identity in Churchill’s corpus, this thesis will further incorporate theories of logical identity as well as theories of language in order to define what I argue is Churchill’s shift towards logical identity. Through a study of both the text of Love and Information and the 2014 New York première, I conclude that Love and Information represents a shift in focus while Churchill maintains her playwriting methodology.
dc.faculty.departmentThéâtre / Theatre
dc.identifier.urihttp://hdl.handle.net/10393/31555
dc.identifier.urihttp://dx.doi.org/10.20381/ruor-6586
dc.language.isoen
dc.publisherUniversité d'Ottawa / University of Ottawa
dc.subjectCaryl Churchill
dc.subjectLogical identity
dc.subjectLove and Information
dc.titleUnstable Identity in Caryl Churchill's Love and Information
dc.typeThesis
thesis.degree.disciplineArts
thesis.degree.levelMasters
thesis.degree.nameMA
uottawa.departmentThéâtre / Theatre

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