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Game of knowledge: The modern interpretation of art.

dc.contributor.advisorLugg, A.,
dc.contributor.authorTingley, Edward.
dc.date.accessioned2009-03-25T19:56:36Z
dc.date.available2009-03-25T19:56:36Z
dc.date.created1995
dc.date.issued1995
dc.degree.levelDoctoral
dc.description.abstractSummation. A specifically modern approach to the interpretation of art is distinguished, rooted in the insight that cognitivity in interpretation must be oriented by sensitivity to the subject-object paradigm. It is shown that specific modern theory of interpretation has become established in twentieth-century theory and practice. That theory is demonstrated to be a set of interpretative rules. The hidden dependence of those rules on specific conceptions of the nature of a work of art (qua hermeneutic entity) is revealed. Three such conceptions of the work of art that are basic to modern art history are articulated and critically examined by careful attention to actual works. Interpretation is shown to exceed the strictures of each model, with the specific consequence that the meaning of the work of art in modern times is systematically narrowed. Motives for that narrowing are discussed. (Abstract shortened by UMI.)
dc.format.extent532 p.
dc.identifier.citationSource: Dissertation Abstracts International, Volume: 57-04, Section: A, page: 1657.
dc.identifier.isbn9780612078888
dc.identifier.urihttp://hdl.handle.net/10393/9820
dc.identifier.urihttp://dx.doi.org/10.20381/ruor-16520
dc.publisherUniversity of Ottawa (Canada)
dc.subject.classificationFine Arts.
dc.titleGame of knowledge: The modern interpretation of art.
dc.typeThesis

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