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Haunting the Domestic Foam: A Political Spherology of Contemporary Haunted House Films

dc.contributor.authorGrillo, Carmen M.
dc.contributor.supervisorGiroux, Dalie
dc.date.accessioned2013-09-30T17:51:24Z
dc.date.available2013-09-30T17:51:24Z
dc.date.created2013
dc.date.issued2013
dc.degree.disciplineSciences sociales / Social Sciences
dc.degree.levelmasters
dc.degree.nameMA
dc.description.abstractThis thesis is focused on the intersection between horror, gender and politics in American haunted house films. Taking a “spherological” approach, the author argues that horror is evidence of a spherical breakdown, or a violation of existential space. Applying this approach to Hollywood haunted house films, the author demonstrates how those movies have, in the years since 2005, responded to a masculinity crisis discourse: by figuring haunting as a horrific disruption of paternal authority by violent masculine entities and powerful female ones, film-makers situate the movies in that discourse. By positing “security moms” (Grewal: 2006) and “paternal sovereigns” (Gunn: 2008) as responses to the crisis, the films construct a domestic space where women are militant mothers and men are sovereigns. Because the family is an important metaphor for the American nation (Lakoff: 2002), this construction can be seen as part of a paternalistic national politics. Cette thèse se concentre sur l’intersection de l’horreur, le genre et la politique dans des filmes américains de maison hantée. En prenant une approche “sphérologique,” l’auteur constate que l’éclatement d’une sphère existentielle s’accompagne du sentiment d’horreur. Concernant les films de maison hantée, l’auteur démontre comment ces objets-là se sont adressés, depuis 2005, au discours de la crise de masculinité: en figurant l’hantise comme la subversion de l’autorité du père par des menaces masculins et féminins, les réalisateurs mettent les films dans la trajectoire du discours de la crise. À fin de répondre à la crise, les films construisent l’espace doméstique de façon que les femmes soient des mères militantes (les “security moms”) (Grewal: 2006) et les pères soient souverains (les “souverains paternels”) (Gunn: 2008). Finalement, car la famille reste une métaphore importante de la nation Américaine (Lakoff: 2002), cette construction peut être vue comme partie de la paternalisme nationale.
dc.embargo.termsimmediate
dc.faculty.departmentÉtudes politiques / Political Studies
dc.identifier.urihttp://hdl.handle.net/10393/26197
dc.identifier.urihttp://dx.doi.org/10.20381/ruor-3276
dc.language.isoen
dc.publisherUniversité d'Ottawa / University of Ottawa
dc.subjectHaunted House Films
dc.subjectPolitics
dc.subjectGender
dc.subjectMasculinity Crisis
dc.subjectDomestic Space
dc.subjectSpherology
dc.subjectPeter Sloterdijk
dc.titleHaunting the Domestic Foam: A Political Spherology of Contemporary Haunted House Films
dc.typeThesis
thesis.degree.disciplineSciences sociales / Social Sciences
thesis.degree.levelMasters
thesis.degree.nameMA
uottawa.departmentÉtudes politiques / Political Studies

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