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Perceptions of Evil: A Comparison of Moral Perspectives in Nazi Propaganda and Anti-Nazi Literature

dc.contributor.authorInksetter, Hamish
dc.contributor.supervisorGrabowski, Jan
dc.date.accessioned2015-01-16T17:30:07Z
dc.date.available2015-01-16T17:30:07Z
dc.date.created2015
dc.date.issued2015
dc.degree.disciplineArts
dc.degree.levelmasters
dc.degree.nameMA
dc.description.abstractThis thesis examines how the concept of evil was understood by opposing German perspectives during the era of National Socialist rule (1933-1945). The rise of Nazism in Germany marked a period of massive political upheaval wherein the National Socialist government encouraged the masses to view the world in terms of a great struggle between forces of good and evil. This was the central theme of their propaganda, which zealously encouraged racialist beliefs in the popular consciousness, and was based on assumptions of German superiority and Jewish evil. Despite Hitler's apparent success in creating an obedient nation, a significant number of Germans opposed his rule, amongst whom a small group of writers expressed their discontent through creative fiction. Through a comparison of the worldviews communicated through political propaganda and anti-Nazi literature, it is revealed that the crux of the divide between their opposing perspectives hinged on the meaning of evil. Since evil is a concept with many meanings, this thesis approaches the subject thematically. The comparison begins by focusing on the perception of evil as an all-corrupting force that had taken hold of Germany, followed by an exploration of how power and brutality were understood, ending with a comparison of views on how the struggle between good and evil took place on both a social and individual level. In addition to demonstrating the subjectivity of moral perspective during a tumultuous period of the recent past, this research reveals how the struggle against Nazism existed as a conflict of ideas. Moreover, the comparison of cultural sources (including Nazi art, visual propaganda, written texts such as Mein Kampf, and anti-Nazi creative fiction) demonstrates the value of art as a tool for conducting historical enquiry. Since the legacy of the Third Reich continues to directly influence modern perceptions of evil, exploring how evil was understood according to contemporary Germans – from both pro and anti-Nazi perspectives – is of particular historical interest.
dc.faculty.departmentHistoire / History
dc.identifier.urihttp://hdl.handle.net/10393/31917
dc.identifier.urihttp://dx.doi.org/10.20381/ruor-2671
dc.language.isoen
dc.publisherUniversité d'Ottawa / University of Ottawa
dc.subjectNazi
dc.subjectNational Socialist
dc.subjectNational Socialism
dc.subjectThird Reich
dc.subjectHitler
dc.subjectGoebbels
dc.subjectJosef Thorak
dc.subjectLeni Riefenstahl
dc.subjectArno Breker
dc.subjectAdolf Ziegler
dc.subjectPropaganda
dc.subjectNazi art
dc.subjectPerspective
dc.subjectMorality
dc.subjectWorldview
dc.subjectPerception
dc.subjectAnti-Nazi
dc.subjectOpposition
dc.subjectOpponents
dc.subjectDissent
dc.subjectResistance
dc.subjectResistenz
dc.subjectGerman
dc.subjectGermany 1933-1945
dc.subjectClair Bergmann
dc.subjectHeinrich Böll
dc.subjectBertolt Brecht
dc.subjectHans Fallada
dc.subjectLion Feuchtwanger
dc.subjectErnst Jünger
dc.subjectKlaus Mann
dc.subjectThomas Mann
dc.subjectErika Mitterer
dc.subjectTheodor Plievier
dc.subjectErich Maria Remarque
dc.subjectAnna Seghers
dc.subjectArnold Zweig
dc.subjectStefen Zweig
dc.titlePerceptions of Evil: A Comparison of Moral Perspectives in Nazi Propaganda and Anti-Nazi Literature
dc.typeThesis
thesis.degree.disciplineArts
thesis.degree.levelMasters
thesis.degree.nameMA
uottawa.departmentHistoire / History

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