| Date | Title | Contributor(s) |
| 2019 | Regards féministes : La représentation de la femme dans la chanson folklorique bulgare | Pellerin Petrova, Ana |
| 2019 | Representing Romani and Travellers: Sexualized “Gypsy” Women and (Self-) Orientalism in My Big Fat Gypsy Wedding and Gadjo Dilo | Ostapyk, Solomiya |
| 2019 | The Social and Cultural Impacts of Reducing the Reliance on Diesel in Canada’s Northern Indigenous Communities | Cook, Rebecca |
| 2019 | Désorienter : Nerval, déçu, repeint l’Orient | Auclair, Raymond |
| 2019 | Artists & Artisans: A Critical Discourse Analysis of SoundCloud Rap | Khadr, Kareem |
| 2019 | The Significance of a Trauma Survivor: The Representation of PTSD in HBO’s Game of Thrones | Desjardins, Kaila |
| 2020 | CONFETTI Volume 6 : A World Literatures and Cultures Journal / Un journal de littératures et cultures du monde | Guerrero, Jorge Carlos; Pilon, Marylene |
| 2020 | Individual and Collective Trauma in Cartouches Gauloises | Zhao, Zixuan |
| 2020 | Colonial Trauma in Canada: Ethnostress, Public Stress and Political Stress among Indigenous Peoples | Pilon, Marylene |
| 2020 | The Dichotomy of Puerto Rico: A Comparison of Rosario Ferré’s Maldito amor and Her Self-translation Sweet Diamond Dust | Roche, Abigail |
| 2020 | Esma’s and Sara’s Resilience in Grbavica: The Land of My Dreams | Nyembwe, Gisèle |
| 2020 | Identity Metamorphosis in Rawi Hage’s Cockroach | Rahman, Elena |
| 2020 | World Literature and Periphery: A Distant Reading of Milton Hatoum’s The Brothers | Jurdi, Erika |
| 2019 | CONFETTI Volume 5: A World Literatures and Cultures Journal / Un journal de littératures et cultures du monde | Ostapyk, Solomiya; Pellerin Petrova, Anna |
