Vixen, Victor, Virgin: The Development of Venus in Latin Poetry During the Age of Augustus

Abstract

Since her first appearances, Venus has captivated the minds of poets. Her depictions in poetry are tied to each generation’s ideals of sexuality and beauty, and as morals and expectations of female behaviour change, so too do portrayals of the goddess. This thesis examines the shifting portrayals of Venus in poetry during a time of great social upheaval: the age of Augustus. The social and moral discourse of the period influenced the portrayals of Venus as the post-Civil War generation grappled with the newfound peace, a staunchly moralistic emperor who claimed descent from the goddess, and a series of legislations that reshaped the image of an ideal Roman woman. While the age of Augustus is overflowing with Latin poets, this thesis will dedicate itself to three: Vergil, Horace, and Ovid. Within their works, we can see the importance of the goddess’ portrayals and how their evolution can reflect Rome’s social, political, and moral climate. Vergil presents a transformed goddess, a morally upstanding mother who engages in the political and domestic spheres. Horace stands on the precipice of change, his Venus straddling the edges of elegy and epic. He recognizes and responds to a political, Augustan goddess before returning to more traditional elegiac matters. Our final source, Ovid, is seemingly traditional in his portrayals of the goddess. Closer examination of his works, however, reveals how Ovid’s Venus transformed from the traditional goddess of love and sexuality to become an empress in her own right. After the introduction of the lex Julia and Augustus’ portrayals of the goddess, the poets of his age used Venus as an exemplum of moral (or immoral) behaviour, motherhood, and dynastic pursuit.