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Representing Parliament: Poets, MPs, and the Rhetoric of Public Reason, 1640-1660

dc.contributor.authorTanner, Rory
dc.contributor.supervisorVon Maltzahn, Nicholas
dc.date.accessioned2014-02-28T21:33:55Z
dc.date.available2014-02-28T21:33:55Z
dc.date.created2014
dc.date.issued2014
dc.degree.disciplineArts
dc.degree.leveldoctorate
dc.degree.namePhD
dc.description.abstractMuch recent scholarship celebrates the early modern period for its development of broader public political engagement through printed media and coffeehouse culture. It is the argument of this study that the formation in England under Charles II of a public sphere may be shown to have followed a reassessment of political discourse that began at Westminster during the troubled reign of that king’s father, Charles I. The narrative of parliament’s growth in this era from an “event to an institution,” as one historian describes it, tells of more than opposition to the King on the battlefields of the English Civil War. Parliament-work in the early years of England’s revolutionary decade also set new expectations for rhetorical deliberation as a means of directing policy in the House of Commons. The ideals of discursive politics that were voiced in the Short Parliament (May 1640), and more fully put into practice in the opening session of the Long Parliament (November 1640), were soon also accepted by politically-minded authors and readers outside Westminster. Prose controversy published in print and political poetry that circulated in manuscript both demonstrate that the burgeoning culture of debate outside parliament could still issue “in a parliamentary way.” Such promotion of productive textual engagements eventually constituted a wider, notional assembly, whose participants – citizen readers – were as much a product of deliberate education and fashioning as they were of the “conjuring,” “interpellation,” or “summoning” that recent scholarly vocabulary suggests. Following the spirit of reform in the English parliament, and subsequently developing through the years of partisan political writing that followed, public opinion, like the Commons, established itself in this era as an institution in its own right. These public and private assemblies disseminated the unprecedented amount of parliamentary writing and record-keeping that distinguishes the period under review, and this rich archive provides the literary and historical context for this study.
dc.embargo.termsimmediate
dc.faculty.departmentEnglish
dc.identifier.urihttp://hdl.handle.net/10393/30669
dc.identifier.urihttp://dx.doi.org/10.20381/ruor-3572
dc.language.isoen
dc.publisherUniversité d'Ottawa / University of Ottawa
dc.subjectparliament
dc.subjectpoetry
dc.subjectpublic sphere
dc.subjectmanuscript studies
dc.subjectJohn Milton
dc.subjectThomas Fairfax
dc.titleRepresenting Parliament: Poets, MPs, and the Rhetoric of Public Reason, 1640-1660
dc.typeThesis
thesis.degree.disciplineArts
thesis.degree.levelDoctoral
thesis.degree.namePhD
uottawa.departmentEnglish

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