Clearcut: Reading the Forest in Canadian and Brazilian Literatures and Cultural Imaginaries

Abstract

This dissertation examines representations of the forest in Canadian and Brazilian literatures and cultural imaginaries in order to question utilitarian models of environmental use and discuss issues of deforestation in both countries. I argue that these models draw on aesthetic and narrative strategies that were consolidated through cultural myths about the Canadian woods and the Brazilian Amazon during the period of colonization and settlement which reified the wilderness and the jungle as uncultivated environments in need of being tamed, optimized, and civilized through consistent projects of land transformation and economic development. Furthermore, I argue that myths about the wilderness and the jungle founded a particular mode of knowing, interacting and existing in and against the environment based on the antagonism between humans and non-human nature which was imposed as universal and continues to shape current material practices in both countries. Despite the differences between the Canadian wilderness and the Brazilian jungle, similar patterns and problems are visible in the literatures of both countries because of their colonial histories and economic models based on the capitalist development of primary resources. Thus, by analyzing a variety of Canadian and Brazilian texts, my dissertation draws attention to the relations of power within which "the forest" was constructed in the Canadian and Brazilian national imaginaries, and which, in turn, were naturalized by particular representations of the wilderness and the jungle. In so doing, my project shows the centrality of Western-centric ideals of progress, culture, nature, and modernity in both countries, and how these concepts continue to inform current institutional policies and environmental debates about forestry management, deforestation, and conservation. I argue that by questioning utilitarian models of land management, writers like Brian Fawcett, Daphne Marlatt and Jeannette Armstrong in Canada as well as Márcio Souza, Regina Melo, and co-writers Bruce Albert and Davi Kopenawa in Brazil call for a critical reinterpretation of master narratives while also inviting alternative frameworks of knowledge that run against dominant economic, environmental, and ontological models. The Canadian wilderness and the Brazilian Amazon occupy a central role in the national literatures and cultural myths of these countries. Nevertheless, the idea of the wilderness and the jungle they reify is mostly symbolic and, as such, tends to obscure the material realities of these landscapes. In turn, the texts I analyze in this dissertation unveil a connection between the imaginary and actual forestry practices enacted by companies and governments to call for epistemic, ontological, and material changes on the ground. Put another way, these narratives mediate between real world issues and aesthetic form, and try to offer a discursive structure for acting upon current environmental, cultural, and economic crises. In their critique of the sustained exploitation of humans and non-humans in postcolonial nations like Canada and Brazil, the writers I examine in my project offer the seeds a theoretical (un)thinking that brings epistemology, ontology, nature, and politics to the forefront of discussions about the environment.