Salinas Martínez, Pablo Manuel2013-04-232013-04-2320132013http://hdl.handle.net/10393/24054http://dx.doi.org/10.20381/ruor-2955In this thesis I develop the notion of discursive instance applied to the internal migrant’s prominent role in Peruvian film. Through an analysis of film production during the eighties, I demonstrate that urban film reveals the crisis of the predominance of creole subjectivity within a cultural homogeneity. In opposition to this, it shows a heterogeneous process where the migrant referent, although part of the new urban context, belongs to a different cultural universe than that of its enunciator.escine peruanomigraciones internasinstancia enunciativasujeto criollo-sujeto migranteThesis