Khadr, Kareem2020-09-162020-09-162019Khadr, Kareem. “Artists & Artisans: A Critical Discourse Analysis of SoundCloud Rap.” Confetti: A World Literatures and Cultures Journal / Un journal de littératures et cultures du monde, vol. 5, 2019, pp. 23-39, https://arts.uottawa.ca/modernlanguages/sites/arts.uottawa.ca.modernlanguages/files/confetti-volume-2019-version_finale.pdf.https://arts.uottawa.ca/modernlanguages/sites/arts.uottawa.ca.modernlanguages/files/confetti-volume-2019-version_finale.pdfhttp://hdl.handle.net/10393/41021https://doi.org/10.20381/ruor-25245The following paper examines what sort of influence is being exerted through the discourse reproduced in one of the newest waves in the Hip-Hop/Rap genre, SoundCloud Rap. SoundCloud Rap could be categorized as one of the few competing sub-genres that opposes themes of authenticity which “gatekeepers” of original Hip-Hop/Rap attribute to the genre’s earlier days. In this paper, a close reading of the lyrics from the most listened to SoundCloud Rap songs of 2017 and 2018 is performed to determine if SoundCloud Rap demonstrates the formulaic structure and promotion of certain social practices, ideologies and themes that are characteristic of “mainstream” popular culture hegemonic products.enSoundCloud RapsocialideologyArticle