| Date | Title | Contributor(s) |
| 2021 | The Testimonio Effect in Slash and Burn: Representing the Voices of Women in War | Hughes Waldick, Zoë; Guerrero, Jorge Carlos |
| 2021 | “Tokyo, 1947”: Cultural Retrospection and the Westernization of Postwar Japan in Lynne Kutsukake’s The Translation of Love | Cisneros, Pamela; Schwartz, Agatha |
| 2021 | Crypto: Art, Currency, and Capital | Aluma-Baigent, Alia; Perissinotto, Cristina |
| 2021 | Little Girl: The Weaponization of Infantilized and Roboticized (Hyper)Femininity in Postwar Japanese Popular Culture | Azzi, Amanda; Schwartz, Agatha |
| 2021 | Out of the Closet and onto the Bookshelf: Lesbian Liberation in Elena Fortún's Oculto Sendero | Cybanski, Kara; Cornejo-Parriego, Rosalía |
| 2020 | Who’s in the Mood for Mood? - Multilingual study on the subjunctive in Spanish | Charles, Miranda; Valenzuela, Elena |
| 2018 | The Fantastic Path Toward Self: Magical Realism and Identity in Haruki Murakami’s A Wild Sheep Chase and Kafka on the Shore | Yucel, Ecem; Esleben, Joerg |
| 2018 | Her (Sub)version of History: The Works of Carmen Guerrero Nakpil | Mucha, Matthew; Guerrero, Jorge Carlos |
| 2020 | The Arab Canadian Identity. Interculturalism, Trauma, and Identity Metamorphosis in Cockroach and Sabah | Rahman, Elena; Telmissany, May |
| 2020 | Remembering the Algerian War: Trauma, Women, Diaspora and Aftermath in Cartouches Gauloises, Hors La Loi and The Battle of Algiers | Zhao, Zixuan; Telmissany, May |
| 2019 | Après le rideau de fer : le paradoxe du cinéma postcommuniste bulgare | Pellerin Petrova, Anna; Schwartz, Agatha |
| 2020 | Exhibits of Truth and Reconciliation: Creating Empathetic Spaces for Indigenous Narratives in Canada | Schwartz, Agatha; Pilon, Marylene |
| 2020 | Representations of Labour, Race, and Orientalism in Tale of a Certain Orient and Blackbodying | Jurdi, Erika; Schwartz, Agatha |
