Seis personajes en busca de un actor

FieldValue
dc.contributor.authorHrynyak, Anastasiya
dc.date.accessioned2016-01-11T13:12:00Z
dc.date.available2016-01-11T13:12:00Z
dc.date.created2016
dc.date.issued2016
dc.identifier.urihttp://hdl.handle.net/10393/34094
dc.identifier.urihttp://dx.doi.org/10.20381/ruor-4915
dc.description.abstractThe modern critics offer two different approaches regarding characterization in Golden Age Spanish theatre. The first approached, used by the majority of literary critics, consists in assuming that that the reader has to discover something that is hidden in the text. According to this approach, stage characters are creations of the author who, like a great architect, produces personalities that the reader has to discover. On the other hand, there are critics who claim that the characters have to be constructed by the reader. (José María Ruano de la Haza, Víctor Dixon). The main goal of my thesis is to elaborate a methodology for the constriction of dramatic characters and apply it to the six “prototypical” characters described in the classic study by Juana de José Prades.
dc.language.isoes
dc.publisherUniversité d'Ottawa / University of Ottawa
dc.subjectGolden Age Theatre
dc.subjectcharacterization
dc.titleSeis personajes en busca de un actor
dc.typeThesis
dc.faculty.departmentModern Languages and Literatures
dc.contributor.supervisorRuano-de-la-Haza, José
dc.degree.namePhD
dc.degree.leveldoctorate
dc.degree.disciplineArts
thesis.degree.namePhD
thesis.degree.levelDoctoral
thesis.degree.disciplineArts
uottawa.departmentSpanish
CollectionThèses, 2011 - // Theses, 2011 -

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