Ontologies of Community in Postmodernist American Fiction

FieldValue
dc.contributor.authorSutton, Malcolm
dc.date.accessioned2012-02-15T16:03:57Z
dc.date.available2012-02-15T16:03:57Z
dc.date.created2012
dc.date.issued2012
dc.identifier.urihttp://hdl.handle.net/10393/20695
dc.identifier.urihttp://dx.doi.org/10.20381/ruor-5453
dc.description.abstractUsing a number of structurally innovative novels from the 1970s, 1980s and 1990s as a basis for study, this dissertation examines the representation of communities in postmodernist American fiction. While novels have often been critically studied from the standpoint of the individual and society, here the often neglected category of community is put under scrutiny. Yet rather than considering it from a sociological point of view, which can potentially favour historical, economic or political grounds for community, this study focuses on the ontological binds formed between individual and community. On one level this study connects formal qualities of postmodernist novels to a representation of community – especially literary conventions from the past that are foregrounded in the present texts. On another level it interrogates the limits of the individual in relation to others – how we emerge from others, how we are discrete from others, how much we can actually share with others, at what cost we stay or break with the others who have most influenced us. The primary novels studied here, each of which is deeply invested in the community as a locus for ontological interrogation, are Robert Coover’s "Gerald’s Party" (1985) and "John’s Wife" (1996), Gilbert Sorrentino’s "Crystal Vision" (1981) and "Odd Number" (1985), Harry Mathews’s "Cigarettes" (1987), Joseph McElroy’s "Women and Men" (1987), and Toni Morrison’s "Paradise" (1997). Despite their varied representations of and attitudes toward the individual in community, these texts share a common spectre of American Romanticism that inflects how we read the possibility of community in the postmodernist period.
dc.language.isoen
dc.publisherUniversité d'Ottawa / University of Ottawa
dc.subjectcommunity
dc.subjectAmerican literature
dc.subjectAmerican fiction
dc.subjectRobert Coover
dc.subjectHarry Mathews
dc.subjectJoseph McElroy
dc.subjectToni Morrison
dc.subjectontology
dc.subjectpostmodernism
dc.subjectGilbert Sorrentino
dc.titleOntologies of Community in Postmodernist American Fiction
dc.typeThesis
dc.faculty.departmentEnglish
dc.contributor.supervisorRampton, David
dc.embargo.termsimmediate
dc.degree.namePhD
dc.degree.leveldoctorate
dc.degree.disciplinearts
thesis.degree.namePhD
thesis.degree.levelDoctoral
thesis.degree.disciplinearts
uottawa.departmentEnglish
CollectionThèses, 2011 - // Theses, 2011 -

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